A month ago the Stereo panel got Visual Stereo, an hourglass that shapes width in three bands. It answered "narrow the bass, widen the highs" beautifully. But three bands is a blunt tool when a track needs the bass tightened only below 60 Hz, or the air opened only above 8 kHz. Precise removes the bands entirely: you draw the stereo image as a continuous curve across the whole spectrum.
A funnel you draw
Precise sits next to Simple in the Visual view. Frequency runs top (highs) to bottom (lows), with a neutral line down the middle. Pick Side and draw: pull a point toward the centre to narrow the image at that frequency (all the way to mono), push it out to widen. Points mirror on both sides, so the picture always stays balanced. Each point shows its exact frequency and amount, so you know precisely what you did.
Side and Mid, independently
Side is the stereo width, the part that carries reverb, ambience, and wide instruments. Mid is the centre: vocals, bass, kick. Switch to the Mid curve to shape the centre tone on its own, like an EQ on the middle of the mix, without touching the width. The two curves are fully independent and fully continuous, so you can tighten a boomy centre while widening the air, in one place.
Mono-safe, and it stays in your export
Under the hood it runs a linear-phase Mid/Side engine, the same clean, phase-accurate technique as the Linear Phase EQ. Because it only shapes levels and never smears phase, collapsing to mono stays predictable. The live Mid and Side spectrum is drawn right behind the curves so you shape against real content, and everything you draw is baked into your exported master, not just the preview.